Inspired by Duchamp’s ‘Three Standard Stoppages’ and other art work that used chance, in the early 60s, William Anastasi made his “unsighted” works - the Blind drawings.
These led to the Subway Drawings of 1968 and the late 70s, when he re-investigated the Subway Drawings whilst riding to and fro from his daily chess games with John Cage.
Sitting with a pencil in each hand and a drawing board on his lap, his elbows at an angle of 90 degrees, his shoulders away from the back rest, Anastasi was operating as a seismograph, allowing the rhythm of the moving train - its starts, stops and turns, accelerations and decelerations, to be transformed into lines on paper, creating an art object that expresses completely the physicality of its making.